Good Reader, welcome back to Script Gods Must Die and the Quixote-esque search for screenwriting knowledge! Spanning the globe to bring you the thrill of screenwriting victory and……oh wait, Millennials won’t get that reference:
The agony of defeat is always instructive. It’s also always funnier when it happens to the other guy. This coming from a guy with a tale or two of his own concerning abject defeat. I really liked this article from Slate by Stephen Harrigan about his reflections on a career writing B-Movies. Here’s a sample:
“I had already written the script so there was nothing for me to do on the set except sit in my special chair and eat red licorice from the craft services table while everyone around me was in urgent motion, often miserably trying to achieve some effect that I had thoughtlessly set down in my screen directions. “A raven lands on a rock” had cost me only a few keystrokes, but that mindless literary flourish translated into thousands of dollars of precious production time as a frustrated raven “wrangler” tried in take after take to make his trained bird hit its mark.
It began to dawn on me during the production of that movie that as much as I yearned to be part of the team, my real role was going to be that of lonely outlier. Screenwriters are less like actual filmmakers than like wedding planners: we work for months or even years making sure everything is ready, every detail is in place, but in the end it’s just not our party.”
- WHEN YOUR DREAM FILMMAKING JOB TURNS INTO A NIGHTMARE
From the ever great Indiewire comes another tale of woe. When it comes time to actually shoot your movie, sometimes greatness is just not meant to be. Or, as the final words of Detour instruct us: “Fate, or some mysterious Force, can put the finger on your or me, for no good reason at all.” Here’s such a case, a great article from Scott Beggs on the journey of Max La Bella and his project Demonic. This is what happens when a passion piece goes wrong.
“More than five years later, “Demonic” hasn’t hit theaters. La Bella recently posted a lengthy blog entry titled “The Downside of Up,” chronicling the aggravating ups and downs of the project — including two false starts, losing a director the day before shooting was supposed to commence, an abandoned release date plan meant to avoid a larger film (that ironically ended up not being released either) and a final kiss of domestic death in the form of a foreign release that got “Demonic” onto pirating sites within hours. It became an extended lesson in the high price of staying excited about what you love to do.
Filmmakers rarely talk about their failures, which is largely why La Bella’s screed is so fascinating. It’s also what makes it such a valuable lesson to those aspiring screenwriters and directors who think of getting an agent as crossing the finish line, the blissful delusion that getting past the gatekeepers is the ultimate goal. It’s important that La Bella shared a common story that isn’t commonly shared — his dream job didn’t morph into a nightmare so much as it got replaced by the day-to-day standard operating procedure of mini- and major studio filmmaking.”